This Crucifix is like that of Tignes a couple of days ago in one respect: it is a representation of the Risen Christ, but in a different context, and equally valid.
This Victorian Rood, full of symbolism, is in the Catholic Church of Or Lady and the English Martyrs, Cambridge, England. It is challenging in a different way to some of the other images we have seen this Lent, but like the Welcoming Christ, it is essentially an image of resurrection. No way is this Christ dead or in agony!
So what is the Rood telling us?
Let’s start with the Christ figure. We see a man in the prime of life, vigorously alive, not hanging naked on the cross but standing tall and robed in majesty. No-one could say of him, he cannot save himself! The crown on his head is of royal gold, not thorns; the nails in his hands and feet are in gold also, but lest we forget the earthly reality of the cross, we see red blood on his palms and insteps. As well as a King’s crown, he wears the long white alb and the red scarf or stole of a priest vested for Mass.
The white scarf around his neck is called a pallium. These are woven from lambs’ wool and given to archbishops by the pope. One appears on the coat of arms of Canterbury Anglican diocese and that of Westminster Catholic diocese. As well as announcing Christ as high priest, the pallium is associated with the idea of the Good Shepherd who brings home the lost sheep, and with the sacrificial Lamb of God.
The alb is a symbol of purity – we see in the Book of Revelation all the saints in white garments. Christ’s here has red trimmings; together with the red stole they tell of blood shed in martyrdom or persecution. The priest celebrating Mass today wears an alb to show that he is representing Christ, the High Priest, and seeks to be as saintly as the white garment implies. Christ, of course, has every right to wear the white garment, and each baptised Christian is given a white garment at Baptism: so we are crucified and risen with Christ: a thought to sustain us in times of hardship.
At the foot of the Cross stand Mary – the dedicatee of the Church, and John the Apostle and Evangelist. They are not mourning in this Resurrection Crucifixion but are absorbed in the beatific vision: this cross presents the artist’s interpretation of the true meaning of the Crucifixion.
Angels adore the Lord from around the Cross: again sending us to Revelation and pointing out the one-ness of Creation, of our world of time and space where Jesus died in Jerusalem with the heavenly Jerusalem where he is Priest and King; King of All Creation, not just of the Jews.
At the foot of the Cross and along its trunk and arms are stylised leaves and grapes: in John’s Gospel Jesus says, I am the Vine, make your home in me as I make mine in you. The wine pressed from the fruit of the Cross brings relief from our spiritual thirst and joy to our hearts. Take up your Cross daily and follow me – to the Crucifixion, yes, in smaller and bigger ways each day, but to the risen life each day as well, even before we die and go to meet the Good Shepherd.
Finally, at the feet of Jesus we see a chalice – for the cup at every Eucharist is indeed the Holy Grail, the cup of the Last Supper – and above the cup, marked with a Cross and radiant in gold, is a round of white unleavened bread; the ‘forms of bread and wine’ that make present in our day all that this Crucifix sets out to tell us.
If, like me, silence does not always come easily to your heart in church or in prayer, maybe sitting with this image can help direct your thoughts to the eternal reality which it professes. The whole story of Jesus is symbolised here from his birth to Mary, up to John running to the empty tomb and seeing and believing – and witnessing to what he believed. May we be ever more faithful witnesses to what we believe.