There always seems to be a romantic air to images of the Holy Family, at least when baby Jesus has become a boy. Here He seems to be concentrating hard, learning poetry by heart – a Psalm, perhaps Ps 22/3, since the shepherd and his sheep are within sight, making for quiet waters. The style of this window suggests it was created before 1967, when the building was acquired by the Catholic community from Ebenezer chapel.
There are traditional representations of Mary as a girl with her mother, reading together; since we have no Scriptural reference to Mary before her Annunciation, such an image would not have appeared in a Congregational chapel. Mary surely taught Jesus in many ways. and perhaps the artist was sending a message that parents should be teaching their children to read the Bible and learn some verses.
… That is as far as my thoughts had taken me when I went to a funeral of Theresa, someone I probably knew by sight – Saint Thomas’ in Canterbury has the excellent tradition of holding funerals at the daily noontime Mass, so there is always some silent support for the family. At the end her grandson said a few words, describing how she had taken great pride in her role as home-maker: that was her job, she said. She always had time for her grandchildren, hosting them for the summer holidays, walking through the orchards or into the city. Time and good meals! Love was her way.
We parents and grandparents may need lessons from Scripture and stained glass, but – is not this the carpenter’s son? The Gospel writers suggest that Jesus and his family did not stand out as specially different in Nazareth. As the window suggests, Joseph and Mary both played their part in making a home in Cairo and in Nazareth; we talk about those times as ‘the Hidden Life’. Our families’ lives are, mercifully, hidden most of the time; may they be Holy Families and grow in holiness.