This painting , Worship by Jun Jamosmos, speaks of an ideal of praise and worship: uninhibited, uncomplicated and undistracted. Each worshipper, bathed in the light of God, faces a blood spattered cross, reminding us of the “mercy seat” in the holiest part of the temple. Jesus, depicted here with a banner over his shoulder, is present among them as they worship. They recognise that they have been restored through the loving act of the Father, giving his son to die. The Spirit of God is present too, symbolised by the dove, and so the whole Trinity interacts with the people of God.
The picture is as much about individual response to God’s presence as it is about corporate worship; individual healing and the work of God among all his people, everywhere – his kingdom, on earth as it is in heaven. Men and women, old and young, all meet with him in their different postures, and with their different needs.
The jars remind us of God’s abundance. Perhaps they allude to the story of Elisha and the widow, who, having a little olive oil in the house, was told to collect as many jars as she could find. God miraculously filled them as she poured out the little she had of her own.
Our small act of faith in choosing to worship – even sometimes with a “downcast soul” – is as nothing compared to the grace we receive as we meet with him. These worshippers are “standing under the tap” while God pours out the abundant blessing always meant for his people:
The Lord bless you and keep you,
The Lord make his face shine upon you and be gracious to you,
The Lord turn his face toward you and give you peace.
Tomorrow’s posting, “The Presence” is a reflection on God’s dwelling among his people down the ages, and upon how, wherever he truly is might be regarded as a “temple”.