Tag Archives: Lazarus

11 July: Going Viral XL, Hope is a muscle we must use once again.

When I taught in a very small school, one of our pupils had cystic fibrosis. Every now and then we would go to the children’s ward of the local hospital to visit and teach him while his lungs were drained under medical supervision. In the previous weeks his energy levels had gone steadily downhill.

This article from Commonweal Magazine tells of new drugs that have been developed since that time; whether that young man was still around to benefit I know not. The writer, Roberto De La Noval, likens the drugs’ effects to the raising of Lazarus: adjusting is more complicated than we might at first imagine. But we are all coping with Covid 19: we must learn to hope for this life and the next. A good read!

Will.

These bell flowers were living a full life in a handful of mountain soil; iced over in winter, full summer sun, just getting on with it, beautifully,

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Lenten Conferences at St Thomas’ Church, Canterbury.

water-stone-chapelA reminder that our own Fr Tom Herbst OFM is leading three evenings of reflection this Lent at St Thomas’ Church Hall, Iron Bar Lane, Canterbury.

We are invited to join those who are to be baptised at Easter and those who are to be received into full communion in the Catholic Church (RCIA Group).

The one Reflection remaining is:

Tuesday 13 Mach,       7 p.m. : The Raising of Lazarus.  (John 11: 1-45)

Take our word for it: these evenings will be well worth turning out for!

Maurice.

Photograph by CD, from the Minoresses’ chapel, Derbyshire.

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Lenten Conferences at St Thomas’ Church, Canterbury.

water-stone-chapelA reminder that our own Fr Tom Herbst OFM is leading three evenings of reflection this Lent at St Thomas’ Church Hall, Iron Bar Lane, Canterbury.

We are invited to join those who are to be baptised at Easter and those who are to be received into full communion in the Catholic Church (RCIA Group).

The two remaining Reflections are

Tuesday  6 March,      7 p.m. : The Man born Blind        (John 9: 1-41)

Tuesday 13 Mach,       7 p.m. : The Raising of Lazarus.  (John 11: 1-45)

Take our word for it: these evenings will be well worth turning out for!

Maurice.

Photograph by CD, from the Minoresses’ chapel, Derbyshire.

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Lenten Conferences at St Thomas’ Church, Canterbury.

water-stone-chapelWe are very pleased to announce that our own Fr Tom Herbst OFM will be leading three evenings of reflection this Lent at St Thomas’ Church Hall, Iron Bar Lane, Canterbury.

We are invited to join those who are to be baptised at Easter and those who are to be received into full communion in the Catholic Church (RCIA Group).

Tuesday 27 February, 7 p.m. : The Woman at the Well (John 4: 5-52)

Tuesday  6 March,      7 p.m. : The Man born Blind        (John 9: 1-41)

Tuesday 13 Mach,       7 p.m. : The Raising of Lazarus.  (John 11: 1-45)

Take our word for it: these evenings will be well worth turning out for!

Maurice.

Photograph by CD, from the Minoresses’ chapel, Derbyshire.

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Filed under Daily Reflections, Easter, Lent

Lenten Conferences at St Thomas’ Church, Canterbury.

water-stone-chapelWe are very pleased to announce that our own Fr Tom Herbst OFM will be leading three evenings of reflection this Lent at St Thomas’ Church Hall, Iron Bar Lane, Canterbury.

We are invited to join those who are to be baptised at Easter and those who are to be received into full communion in the Catholic Church (RCIA Group).

Tuesday 27 February, 7 p.m. : The Woman at the Well (John 4: 5-52)

Tuesday  6 March,      7 p.m. : The Man born Blind        (John 9: 1-41)

Tuesday 13 Mach,       7 p.m. : The Raising of Lazarus.  (John 11: 1-45)

Take our word for it: these evenings will be well worth turning out for!

Maurice.

Photograph by CD, from the Minoresses’ chapel, Derbyshire.

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2 April: Jesus Wept.

Chichester Cathedral is famed for its modern art – especially the prominent commissions of the artists Graham Sutherland, John Piper and Marc Chagall by Walter Hussey during his time as Dean (1955-1977). It is also home to some fine works of art from earlier periods, and there have been a number of important acquisitions since Hussey’s time as Dean.

 

During 2016, as part of my work as Bishop Otter Scholar for Theology and the Arts in the Diocese of Chichester, I was researching the art in the Cathedral, and leading a series of discussion groups through which I gathered some contemporary responses to the works.

 

 

Among the oldest treasures in the Cathedral are two reliefs, thought to date from the twelfth century, depicting scenes from the Lazarus narrative in John’s Gospel: Martha and Mary going to meet Jesus (John 11:30-32) and the raising of Lazarus (John 11:33-44).

 

These are rare examples of Romanesque sculpture in Britain, and a remarkable survival. Resonating wonderfully with their subject-matter, the reliefs were hidden for centuries, and rediscovered, behind the choir stalls, in 1829. Other fragments of carvings were discovered along with the reliefs, and it is thought that they formed part of a larger scheme in a chancel screen. When rediscovered, the reliefs were moved to their present location in the south aisle, which saved them from another risk – the collapse of the Cathedral spire (into the quire, where the reliefs were found) in 1861.

 

One of the most striking features of the carvings is the emotional intensity in the faces of the figures, and this was the first thing that was commented on during the discussion session about the reliefs; as one participant put it simply: ‘they look so sad’. Jesus’ face in the raising of Lazarus is particularly powerful – a very striking rendering of the shortest verse in the Bible, John 11:35, usually rendered ‘Jesus wept’.

 

There is a wonderful drawing of the face of Jesus by John Piper in the collection at Pallant House Gallery in Chichester, where Dean Hussey bequeathed his personal art collection (further links between the Cathedral and the gallery will be mentioned in future posts). Piper is one of many artists inspired by the reliefs; another was Eric Gill, who grew up in Chichester, and enthused about the reliefs: he borrowed the composition of the sisters meeting Jesus for Jesus meeting the daughters of Jerusalem in his Stations of the Cross at Westminster Cathedral.

 

Part of the appeal of the reliefs lies, as one participant highlighted, in the very human presentation of Jesus here. According to the contemporary custom, we are left in no doubt that Jesus is the most important figure in the reliefs by his exaggerated height. But at the same time, this is a figure who has friendships and emotions, and whose grief-stricken face inspires empathy from viewers many centuries after it was carved.

 

Indeed, for me, the fact that the reliefs were carved many centuries ago heightens their impact – partly because their very survival is so remarkable, but more so because their emotional immediacy speaks across the centuries. And because most of the ‘facts’ about these carvings are lost in the mists of time, the viewer is liberated from becoming bogged down in analysing details such as the artists’ intentions and instead is given, as one participant put it ‘a blank page’, inviting ‘an immediate, emotional reaction… [rather] than something which is more intellectual.’

 

On the other hand, Linda Brown highlighted that we can also view the reliefs as giving us an insight into twelfth century perceptions of the Lazarus narrative, and, in the architectural features in the sisters meeting Jesus, impressions of the Holy Land in this period. This thought prompted a discussion about travel and pilgrimage in this period, and in turn made me wonder if we might view these works like the mediaeval church labyrinths which allowed the faithful to make a surrogate pilgrimage. Perhaps the twelfth-century viewer of the reliefs (or indeed the twenty-first century one) could (and can) imagine him/herself standing at the gateway and the graveside in Bethany, with Jesus, Martha and Mary, and sharing in their anguish.

 

Thank you to Linda Brown, Margaret Baugier, Fran Box, Tessa Cox, Rebekah Hanson, Jennifer Sandys and the participants who asked to remain anonymous for their contributions on this topic.

 

Further reading

 

Trevor Brighton, ‘Art in the Cathedral from the Foundation to the Civil War’ in Chichester Cathedral: A Historical Survey, ed. Mary Hobbes (Chichester: Philimoe & Co. Ltd, 1994), 69-84: 72-73.

 

Chichester Cathedral, ‘Delve Deeper: The Chichester Reliefs’, Chichester Cathedral website, 2016. Accessed 27/12/2016.

 

Alan Saunders, The Chichester Reliefs (Chichester: West Sussex Institute of Higher Education, 1989).

 

 

A version of this post was published by Transpositions on 3 October 2016. 

 

NAIB.

 

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2 November: All Souls

all-souls
(Image from Pinterest)

After the euphoria and rejoicing of All Saints, we contemplate, in today’s Feast, the many souls who have gone before us.  We are confronted with the reality of death.  Yet, today’s readings, which are often chosen at funerals, give us great cause for hope: we are told that the Lord will destroy death for ever, and there will be no more mourning or sadness.  Isaiah prophesies this in the Old Testament, and St. Paul confirms it in the New: Christ destroyed death by dying for sinful people. He did this because of His great love for us.

The Gospel gives us an example of this great love.   Jesus raises a young man who has died, thus turning mourning into rejoicing. St. Luke (7:11-18)tells us that Jesus gives the young man back to his mother, who is a widow. Without her son, she would have had no-one to provide for her and protect her.  This shows Jesus’ respect for a type of people who were helpless in that society: God insisted on kindness to orphans and widows, for they were all too often overlooked.  This tells us that Jesus sympathises with and mourns with those who mourn.  In another place, we are told that He wept for His friend Lazarus, who had died. (John 11)

Yes, but what about all the suffering and untimely death in the world today?  Where is God and His sympathy in all this?  I believe that He would be close to all who mourn if they would let Him into their hearts, and let the words of His Scriptures comfort them.  Jesus was fully human as well as fully divine in His Incarnation, and He endured all the suffering humans endure in His Passion.  So, He is still beside those who suffer today, suffering with them, as He was beside the widow of Naim.

FMSL

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