A Tale of Two Singers
Saint Augustine opens his Confessions with these words:
‘To praise you is the desire of man, a little piece of your creation. You stir man to take pleasure in praising you, because you have made us for yourself, and our heart is restless until it rests in you.’+
Some 1500 years later the prologue of Dylan Thomas’s Collected Poems tells how, through his poetic imagination, he would overcome his fears to:
'... build my bellowing ark To the best of my love As the flood begins, Out of the fountainhead Of fear, rage, red, manalive. +
Dylan’s work is religious, laid out ‘with as much love and care as the lock of hair of a first love’.* It is confessional, in the meaning Augustine intended: a recounting of his experiences and a praise of God.
Under Milk Wood portrays Llaggerub, Dylan’s imaginary Welsh town with its roots in Laugharne where he and his family were based in the last years of his life. Is it the Chosen Land? Reading the play as a parable, Llaggerub intertwines Dylan’s earthly and heavenly towns. Dylan drank at the same source as Augustine; if philosophy opened the wells for the bishop, poetry served the ‘spinning man’ with a flood to float his cockleshell ark, and, indeed, Dylan’s work gives hope that ‘the flood flowers now’, for him, beyond the ‘breakneck of rocks’ that was his life.
+ Augustine: ‘Confessions’, Tr. Henry Chadwick, Oxford, Oxford University Press, 1998, p3.
+ All Dylan Thomas quotations from: ‘Prologue’ to Collected Poems, p1–3.