Foul-cankering rust the hidden treasure frets,From “Venus and Adonis” by William Shakespeare
But gold that’s put to use more gold begets.
Shakespeare echoes the Parable of the Talents (Matthew 25:14-30) which shows gold becoming fertile in its own way, and also languishing useless underground. This happened to treasure that my brothers and I hid once when on holiday in Wales. Perhaps we felt that this hidden treasure was a sacrifice that would draw us back to the little resort where we had enjoyed a week of happiness with both our parents available. Our treasure was a hoard of beer bottle tops from the Border Brewery, which came in different colours according to the brew in each bottle, and carried a picture of a Welsh dragon. Our source was not our Dad’s empties, but a nearby pub’s backyard. We thought we’d marked the spot where we’d hidden them, 12 inches from the telegraph pole near the holiday house, but the next year we failed to find it.
If only we’d had a metal detector! I think the spot is covered by the North Wales Expressway now, so we can forget about looking for our treasure, and decades later, the tops will surely be fretted away, though I do know someone who would be very grateful for a set of tops from a long defunct brewery.
A more generally exciting buried treasure was discovered in Staffordshire a few years ago. Being largely of gold, it has survived, though battered at the time of burial and in the 13 or 14 centuries since. If you have an hour between trains in Birmingham, you should be able to get to the museum and admire what’s on show – if you can get yourself past the Pre-Raphaelite paintings and the other treasures there.
The processional crosses and other liturgical objects were saved from destruction, but whoever hid them may have been killed in battle before retrieving them, or like us boys, may have misremembered the clues. We can admire the art while regretting that this gold will never again be put to its original use. Not that that should stop us from offering a silent prayer of wonder and gratitude. These gloriously playful designs speak of artists at ease in their faith, bringing their joyfulness to their work, as Hopkins did in his poetry.
A cross from the Staffordshire hoard; it has been folded over for burial, the precious stones wrenched off.