I was surprised to be welcomed at the North Door into the Crypt at Canterbury Cathedral and to have a leaflet thrust into my hand. I barely glanced at it – ‘a place to reflect’ sums up Agnellus’ Mirror’s feelings about this ancient part of the Cathedral – and put it safely in my bag. Reflection is our business in the Mirror, so I promised myself to read it later.
As always, the silence of the Crypt needed to be filtered out of the background noises. Hear each one, Will, then set it aside. Bangings, sawing noises, crane engines and hydraulic lifts: the army of masons, paviours and other tradesmen were about their work, as they always are. Have I ever seen the building without scaffolding somewhere?
Young voices behind me, coming from the nave. School children? Do they whoop and yell? I remembered that at least two little Turnstone chicks, when babes in arms, discovered the acoustics of the nave, and allowed their happy screams to roll around the space, but they were a choir leader’s nightmare. Worth a smile and a prayer for all the younger Turnstones. At least I’d put aside the whoopers, and found silence, undisturbed by comings and goings around me.
When I got up to climb the stairs to the nave, a solid oak door barred the way. I heard an amplified voice speaking, and remembered seeing a young man in academic dress in the street: I realised it must have been a degree ceremony occupying the nave. Whoops and yells are fair enough under the circumstances.
Let’s pray that the graduands enjoyed their day, and always have room in their lives for reflection and silence.
Oh, the leaflet: it is an excellent guide to the crypt. I learnt that there is a Baptismal Font down there in the Holy Innocents’ Chapel which is encouraging: the main font in the Nave has the Royal Coat of Arms over it, which has always seemed inappropriate to me.